Film Screening: The Killing Floor

A free screening of THE KILLING FLOOR will be held on November 17, 2018,
at 1 PM at the Metrograph Theater, 7 Ludlow Street, Manhattan.

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THE KILLING FLOOR
1984 / 118min / Digital
DIRECTOR: BILL DUKE

CAST: DAMIEN LEAKE, MOSES GUNN, CLARENCE FELDER, ALFRE WOODARD, DENNIS FARINA

Free Screening, seating will be first come, first serve.

Duke honed his directorial skills by working extensively in episodic television before directing the first production of a planned PBS drama series on the history of American workers, which premiered on American Playhouse. Based on a story by Executive Producer Elsa Rassbach and a screenplay by Obie-Award-winning playwright Leslie Lee, this wrenching drama of the first Great Migration generation stars Damien Leake and Moses Gunn as two friends set at odds in World War I-era Chicago when one chooses to join an interracial union. The sheer excellence of Duke’s directorial accomplishment, distilling a sprawling history of class and race in America into distinctly human-scale vessels, garnered The Killing Floor an invitation to Cannes and an award at the Sundance Film Festival in 1985

The film will be shown on November 17, 2018, at 1 PM at the Metrograph Theater, 7 Ludlow Street, Manhattan.

 

 

WWI: The Resistance!

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Calling all peace activists, history lovers, students of World War I!
World War I: The Resistance

This program commemorates the Armistice of World War 1, which was signed on Nov. 11, 1918 and celebrates the resistance to that war…the “Americans who tried to stop their nation from fighting in history’s most destructive war and then endured the wrath of a government that punished them for refusing to change their minds.”

Michael Kazin
Historian, Author, War Against War: The American Fight For Peace, 1914-1918

Irwin Yellowitz
Historian, President, New York Labor History Association

Susan Schnall
Peace Activist, President, Veterans for Peace, New York City Chapter

Monday – Nov. 12, 2018 – 6:00 p.m.-8 p.m.
The Center for Worker Education /The City College of New York 25 Broadway, 7th Fl.

Photo ID required to enter building at front desk
Subway stops 4, 5 to Bowling Green, 2,3 to Wall St., 1 or R to Rector St.
Seating is limited so please RSVP to Jane LaTour at: jlatour13@gmail.com

Sponsor: New York Labor History Association
Co-sponsor: The Center for Worker Education

Refreshments! Free!

NYLHA’s John Commerford Labor Education Awards – November 29th

The New York Labor History Association’s 32nd Annual John Commerford Labor Education Awards Reception will be held on November 29th. This year we will be honoring Pulitzer Prize-winning writer Jennifer Egan and historian and activist Annelise Orleck for their extraordinary work bringing workers’ history to life and illuminating its relevance for today. Egan’s most recent novel, Manhattan Beach, and Orleck’s most recent book, “We Are All Fast-Food Workers Now,” beautifully demonstrate just how much workers’ stories matter. (See below for more about Jennifer Egan’s and Annelise Orleck’s work.)

The Commerford Awards will be held on from 6-8 p.m. on Thursday, November 29, 2018 at 32BJ SEIU, 25 West 18th Street (between 5th & 6th Avenues), New York City

Tickets are $50 each.  Current NYLHA members may purchase two tickets at the member price of $25 each. You can purchase them online at the links below, or by sending a check (made out to the “New York Labor History Association”) to:
Loraine Baratti, NYLHA * 116 Pinehurst Avenue, Apt. K-1 * New York, NY 10033. Please include your contact information and where to mail your tickets. We list all organizations that buy 10 tickets or more as sponsors of the Commerford reception on the event program.

 

Pay via credit card or PayPal below:


Regular Commerford Tickets





New/Renewing Membership & Tickets





New/Renewing Membership & Tickets




 

2018 Commerford Award winners

Jennifer Egan’s most recent novel, Manhattan Beach, which centers on the Brooklyn Navy Yard during World War II, received the 2018 Andrew Carnegie Medal for Excellence in Fiction, and a New York City Book Award. Her extensive research included oral history interviewing with former Brooklyn Navy Yard workers, particularly women, from that time. Egan partnered with the Brooklyn Navy Yard and Brooklyn Historical Society to help create an archive that puts Navy Yard workers’ experiences on the historical record and makes their stories publicly available. Egan’s many novels and short stories include A Visit from the Goon Squad, which won the 2011 Pulitzer Prize and the National Book Critics Circle Award, and Look at Me, which was a 2001 National Book Award finalist. She is a recipient of a Guggenheim Fellowship, a National Endowment for the Arts Fellowship in Fiction, and a Dorothy and Lewis B. Cullman Fellowship at the New York Public Library. Also a journalist, Egan published a cover story in May 2018 in New York Times Magazine about mothers, babies, and the opioid crisis.

Annelise Orleck teaches women’s, labor, immigration, and political history at Dartmouth College. The author of five books and the co-editor of two collections, Orleck combines scholarship and activism. She is co-president and co-founder of Dartmouth’s new American Association of University Professors (AAUP) chapter and is currently active in living wage and immigrant rights campaigns. Orleck’s books – Common Sense and a Little Fire: Women and Working Class Politics in the United States; Soviet Jewish Americans; Storming Caesars Palace: How Black Mothers Fought Their Own War on Poverty; Rethinking American Women’s Activism; and, published in 2018, “We Are All Fast Food Workers Now:” The Global Uprising Against Poverty Wages – weave the personal with the political to tell compelling stories of those often left out of the history books. Orleck also co-edited The Politics of Motherhood: Activist Voices From Left to Right (with Alexis Jetter and Diana Taylor) and The War on Poverty: A New Grassroots History (with Lisa Hazirjian), and she has published in The Guardian, Salon, Ms., Bitch Media, The Conversation, Truthout, and the Progressive.

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